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    <lastmod>2023-05-06</lastmod>
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      <image:caption>Brought Up by Kenneth Keng | University Settlement, dir. Annaporva Green Photo: Kelsey Cheng</image:caption>
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      <image:caption>Brought Up by Kenneth Keng | University Settlement, dir. Annaporva Green Photo: Kelsey Cheng</image:caption>
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      <image:caption>"You don't climb a pepper tree, you go around it" | SLC Theatre, written and dir. by Chisom Awachie Photo: Mia Isabella Photography</image:caption>
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      <image:caption>Wake Up by Kenneth Keng | SLC Theatre, dir. Annaporva Green</image:caption>
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      <image:caption>The Gap by Emma Goidel | Downstage Theatre Company, SLC, dir. Jillian Jetton</image:caption>
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      <image:caption>The Gap by Emma Goidel | Downstage Theatre Company, SLC, dir. Jillian Jetton</image:caption>
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      <image:caption>She Kills Monsters by Qui Nguyen | Woodstock Arts, dir. Zach Stolz</image:caption>
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      <image:caption>Your Heart Will Literally Go On by Cal Derreberry | Horizon Theatre Company Apprenticeship Program, dir. Laura Hackman</image:caption>
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      <image:caption>On the Verge by Eric Overmeyer | Schwartz Center for the Performing Arts, dir. David Feldshuh</image:caption>
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      <image:caption>On the Verge by Eric Overmeyer | Schwartz Center for the Performing Arts, dir. David Feldshuh</image:caption>
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    <lastmod>2026-07-03</lastmod>
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      <image:caption>Radar Screen, Battleship Dakilang Mandirigma</image:caption>
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      <image:title>Video Art</image:title>
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      <image:caption>Radar Screen, Mandirigma, Agila Squadron, MILF Fleet</image:caption>
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      <image:caption>Reality Warp, Stage Directions</image:caption>
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      <video:title>Video Art</video:title>
      <video:description>Created and Edited by: Chisom Awachie Equipment: iPhone 11 Pro Locations: Anambra State, Nigeria; Fayetteville, GA; Jersey City, NJ; New York, NY Special Thanks: Regina Akudu, the Awachie Family Things I Owe Regina Akudu [Expanded] Chisom Awachie June 2025 Single channel video installation, color, sound, 3min 48s In Things I Owe Regina Akudu [Expanded], the artist and her grandmother discuss reasons to start a family (the artist providing her grandmother with great-grandchildren): the grandmother believes that children bring joy, the artist grapples with failing as a granddaughter. While this conversation takes place in voice over, the artist shares additional thoughts some years after the initial “conversation” about her current life and prospects. The majority of the video was taken during the artist’s family trip to Nigeria in 2018, with additional clips of her life and family in 2025. The result is a layered conversation though multiple generations and timelines. An expression of belief and uncertainty flowing back and forth.</video:description>
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      <video:title>Video Art</video:title>
      <video:description>2023 Single channel video installation, color, sound, 3:48 minutes Inspired by E. Jane’s #Mood Exercises, Visionboard is a joyful collage of safety, community, comfort, and home. A vision board covered with photos of Black women artists and affirmations about abundance in career and creativity serves as the backdrop of several short looped videos. The videos include the yard of the artist’s family home in Nigeria, an impromptu dance party of her siblings at their home in Atlanta, the artist singing a cover of Moses Sumney’s “Don’t Bother Calling,” and random mid-conversation clips to friends from Snapchat and Instagram. The audio from each of the videos overlaps, creating a gentle soundscape of memory. The videos loop constantly but are all further grouped within the Sumney cover, which repeats three times. The effect is a meditative collection of snapshots of good, stressful, and regular days. Sourced over several years from the artist’s camera roll, Visionboard is what happens when you’re away from your family and friends and want to remember several sweeter times all at once. Inspired by E. Jane’s #Mood Exercises, Visionboard is a joyful collage of safety, community, comfort, and home. A vision board covered with photos of Black women artists and affirmations about abundance in career and creativity serves as the backdrop of several short looped videos. The audio from each of the videos overlaps, creating a gentle soundscape of memory. Sourced over several years, Visionboard is what happens when you’re away from your family and friends and want to remember several sweeter times all at once. Creator, Performer, Editor: Chisom Awachie Performers: Ifeanyi Awachie, Tochukwu Awachie Shot in Anambra State, Nigeria; Bronxville, NY; Atlanta, GA</video:description>
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      <video:title>Video Art</video:title>
      <video:description>2023 Single-channel video installation, black and white, silent, HD video, 3 min Inspired by Maya Deren’s Meshes of the Afternoon and Aleshea Harris’s What to Send Up When It Goes Down, CUPCAKE places anti-Black fetishization and cannibalism within a silent, confined, and dreamlike setting. A dinner date between Aisha (Black) and Beth (white) repeats, with Beth taking a number of Aisha’s body parts as matter-of-factly as talking about her day. When Aisha fights back, Beth is surprised and offended, as though this piecemeal theft was her right. Black and white coloring and additional filters afford the piece a filmlike and dreamlike quality. They speak to the absurdity of anti-Blackness and the believability of Black women who come forward about abuse. The repetition highlights how often Aisha may find herself in this position with future partners. CUPCAKE poses the question: “So, your white lover/best friend/employer wasn’t joking when she said she “could just eat you up.” Now what?” Shot in Bronxville, NY Canon EOS 80D Directed, written, and edited by: Chisom Awachie Director of Photography: Aliya Hunter Cast: Megan Hamm, Chisom Awachie</video:description>
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      <video:title>Video Art</video:title>
      <video:description>2022 Single channel video installation, black and white, sound, 3:38 minutes New Year’s and the First Sunday of Every Month positions rituals from different spiritualities, adornment of the body, and the potential for a body to become dismembered. A young woman prepares for an important event by applying makeup and setting a ritual space. In the opening shot, she sits partially obscured by tulle fabric. Extended closeup shots of her body accompany a soundscape including the ad for the board game Operation and the opening of Igbo Catholic mass. Snippets of a one-sided conversation allude to the event, as well as mysterious symptoms that the woman is dealing with. The soundscape eventually distorts, adding a sense of unease to the woman’s preparation. The closing shot mirrors the first, with the woman fully made up and prepared for whatever awaits her. The piece provides the elements of a Black woman’s body, Christian and indigenous African spiritual practices, and a game about separating body parts to raise questions about the perception of women’s bodies in spiritual and commercial spaces. How are we treated in these spaces? How are these perceptions affect our bodies and responses to them in other areas of our lives? How can we keep ourselves safe? Shot in Bronxville, NY Canon EOS 80D</video:description>
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      <video:thumbnail_loc>https://images.squarespace-cdn.com/content/v1/623aa5128b825005fb47f4ce/8b7b0918-c38d-457d-824c-6ca645cc45b8/Screen+Shot+2022-11-13+at+6.29.02+PM.png</video:thumbnail_loc>
      <video:title>Video Art</video:title>
      <video:description>2022 Multi-channel video installation, HD video, color, sound, 2:42mins In i think you’re really special, two videos in split screen depict a young woman spending a Saturday night in her apartment. The lefthand video uses handheld camera movement and warm lighting to outline her body as she lounges on a bed, awaiting instruction. Portions of her body are shown at a time, but never her full face. The righthand video uses still camera shots of the same young woman completing quotidian tasks: sweeping the kitchen, massaging herself with a lacrosse ball, goofing off in front of the bathroom mirror, etc. The two videos may evoke questions about agency or the sexualization of women simply existing in space. A repetitive trap beat plays underneath both videos, disjointing twice before fading to black. If played with each video separately, the music would convey very different tones or contexts; together they fight for attention. Shot in Bronxville, NY Canon EOS 80D Written and composed by: Chisom Awachie Cast: Chisom Awachie Director of Photography: Aliya Hunter</video:description>
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      <image:title>MFA Thesis</image:title>
      <image:caption>"You don't climb a pepper tree, you go around it" written and dir. by Chisom Awachie | SLC Theatre Photo: Mia Isabella Photography</image:caption>
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      <image:caption>Mia Isabella Photography</image:caption>
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      <image:caption>Mia Isabella Photography</image:caption>
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      <image:caption>Mia Isabella Photography</image:caption>
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      <image:caption>Mia Isabella Photography</image:caption>
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      <image:caption>CUPCAKE (2023) Single-channel video installation, black and white, silent, HD video, 3 minutes</image:caption>
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      <image:title>Gallery</image:title>
      <image:caption>CUPCAKE (2023) Single-channel video installation, black and white, silent, HD video, 3 minutes</image:caption>
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    <image:image>
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      <image:title>Gallery</image:title>
      <image:caption>i think you're really special (2022) Two-channel video installation, color, sound, 2:42 minutes</image:caption>
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      <image:caption>harmless ! (2022) Two-channel video installation, color, sound, 6 minutes</image:caption>
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      <image:title>Gallery</image:title>
      <image:caption>harmless ! (2022) Two-channel video installation, color, sound, 6 minutes</image:caption>
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    <image:image>
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      <image:title>Gallery</image:title>
      <image:caption>New Year’s and the First Sunday of Every Month (2022) Single channel video installation, black and white, sound, 3:38 minutes</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/623aa5128b825005fb47f4ce/47c8264c-5fb5-4b0f-acd5-1dceade2ea25/Altar+setting.jpeg</image:loc>
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      <image:caption>"You don't climb a pepper tree, you go around it" PrideFest at The Tank Photo: Kenneth Keng</image:caption>
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      <image:caption>"You don't climb a pepper tree, you go around it" written and dir. by Chisom Awachie | SLC Theatre Photo: Mia Isabella Photography</image:caption>
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